2023 First Nations Art Competition

2023 First Nations Art Competition

Get Up! Stand Up! Show Up!

2023 marked the second year of the Southern Queensland Landscapes First Nations Art Competiton and saw the University of Southern Queensland partner with SQ Landscapes. The competition aims to give First Nations artists from across the 28 Nations from our region the opportunity to showcase their art, stories, and Culture.


This year's theme was "Get Up! Stand Up! Show Up!" and saw over 30 artists from 15 Nations take part.


We believe our First Nations People hold the key to learning how to bring landscapes back into balance with their 40,000 plus years (over 1,600 generations) of stewardship of our lands.


We acknowledge, respect and learn from the First Peoples of the 28 Nations in the Southern Queensland Landscapes area, and further afield. We pay our respects to the Elders, past, present and future, for they hold the memories, traditions, culture, science and knowledge, and hopes of Aboriginal and Torres Strait Island peoples across our nation.


You can visit the artwork while on show at the University of Southern Queensland Gallery until 2 September 2023 between Tuesday and Friday from 10am to 3pm.


Top of page artwork - 'Get Up! Stand Up! Show Up on Kooma Country II' by Andrew Nelson

'Bonye Jairowar Connections' by Adrian Bauwens
Categories and prizes infographic


'Mandan' by Overall Grand Prize Winner and Senior Digital Artwork First Place Robert Claude-Manns.

2023 Overall Grand Prize Winner

'Mandan' by Robert Manns

"I am a Mandandanji man from Roma in south west Queensland. I am exploring technology, existing and emerging, to express my culture. I am working to express visual Aboriginal art in new and exciting forms using all the tools available to me. I hope others find my artwork to be engaging and provoking."


"Mandandanji people are the fishing net people. The background looks ancient and represents my connection to my country and culture. The fishing net represents my relationship with the Mandandanji people. It is mostly formed but in places it is torn and frayed. I feel that I may need to repair parts of my relationship with my people."


"The sometimes vivid but somewhat traditional colours represent my emotions as I deal with my past and future."

Category First Place, Runner Up, and Highly Commended Recipients

'Mandan'

Overall Grand Prize Winner and Senior Digital First Place Robert Manns


"I am a Mandandanji man from Roma in south west Queensland. I am exploring technology, existing and emerging, to express my culture. I am working to express visual Aboriginal art in new and exciting forms using all the tools available to me. I hope others find my artwork to be engaging and provoking."

'Beginning of Creation'

Senior 2D First Place Chris Vale


"In the beginning, Guthi-guthi created lands for people and animals. He set borders and birthing places for the Dreaming's before realising the land was bare with no water.


He called for Weowie, the water serpent, trapped in Mount Minara, but he didn't respond. Guthi-guthi split the mountain and freed Weowie who created the waterholes and streams in the land. Weowie returned to live in Mount Minara.


Another lot of water was needed to come down from the north throughout the country. This painting is my interpretation of that dreamtime story."

'River Links'

Junior 2D First Place Ella-Louise Knox


"I am an 11 yea old Gomeroi girl from Goondiwindi, with family connections in Moree, Tamworth and St George. I have now been living on Kabi Kabi/Gubbi Gubbi land for six years.


In the most recent months I have found a passion for my traditional artwork. I have always felt a certain connection to painting and the overall joy and peace it brings to me."

'Circle of Life'

Junior 2D Highly Commended Sienna Wilson


"For our Elders past and present play an important role in our lives as Indigenous Australians. They are the ones who walked before us. Without their sacrifices, their wisdom, their strengths, their stories and knowledge. 

 

We as their followers will have no traditions, no guidance, no knowledge and no connections to pass on to our younger generations."

'Story of our Elders'

Junior 2D Runner-Up Hailey Brady


"My painting highlights the proudness and respect the younger generation of Indigenous people show for their elders by acknowledging their wisdom and stories.


Get Up, Stand Up, Show Up is told through symbols of person, man & woman, by highlighting the younger generation passing and telling their stories and the circles represent the stories passing throughout generations."

'Get Up Stand Up Show Up on Kooma Country II'

Senior 2D Highly Commended Andrew Nelson


"This painting is of the Nebine Creek system that snakes it’s way through Kooma Country, depicting our people using water for making artefacts, axe heads tools and grinding seeds.


Water was very important for day to day life on Country."

'Songlines & Wandabaa'

Senior 2D Runner Up Melinda Luscombe


"'Songlines & Wandabaa (spirits) represents my ancestors journeys on Country. Walking on grasses and soil, smelling acacia and gums and feasting. Exploring our beautiful lands, guided by mirii (stars) and wandabaa."

'Never Giving Up'

Senior 2D First Place Tamay Beam


"The story of this painting is displaying that there may be obstacles along the journey, but we will continue to fight for change, for ourselves and community, for our Culture and stay strong to our path for a brighter future."

'Connectiveness Through Every Stitch'

Senior 3D First Place Valerie Murray


"My mob is from Ngarrabul Country through family connections. I live and belong to Barunggam (Jandowae) Country.  


The handmade cord traditional is linked to a woven combination of traditional and contemporary methods."

'Bonye Jairowar Connections'

Senior Digital Highly Commended Adrian Bauwens


"For thousands of years, mobs from all over south east Queensland would converge to Wakka Wakka country; for the triannual Bunya festival. It's here where many ceremonies took place. People would journey from far and wide to attend for several reasons; trade, tribal boundaries or disputes, marriages, and ceremony.


Ancestors of the Western Wakka Wakka welcomed mobs to our lands and we were fortunate enough to be called Jairowar - “the host or the giver,” for these reasons."

'Pink Women'

Senior Digital Highly Commended Jo Chapman


"The green circle is a yarning circle, a meeting place. The coloured dots leading to the circle are the many roads a woman takes and goes to the yarning circle to tell her story.


The three yellow and pink mounds represent womanhood and health, knowledge and skills, and children.


The red and orange mounds beside these are her support networks. The white dots within the yellow and pink mounds is her journey through these aspects of her life. The white mounds are her ancestors, her spirits watching over her and her journey of life."

'My Tribal Land'

Senior Digital Runner Up Jo Chapman


"For our Elders past and present play an important role in our lives as Indigenous Australians. They are the ones who walked before us. Without their sacrifices, their wisdom, their strengths, their stories and knowledge.  


We as their followers will have no traditions, no guidance, no knowledge and no connections to pass on to our younger generations."

Get Up, Stand Up, Show Up!

The theme of the 2023 First Nations Art Competition is 'Get Up, Stand Up, Show Up!' based upon the 2022 NAIDOC Week theme. 

 

'Get up, Stand up, Show up! calls for stronger measures to recognise, protect and maintain all aspects of First Nations culture and heritage.  It's also a call to celebrate the many who have driven and led change in our communities over generations.


The NAIDOC theme 'Get Up, Stand Up, Show Up!' invites the nation to embrace Aboriginal cultural knowledge and understanding of Country as part of Australia's national heritage.  For more information on the theme click here



UniSQ Gallery Curator Brodie Taylor and Senior 2D Medium Runner Up Melinda Luscombe

2023 First Nations Art Competition Judges

Uncle Colin Jones

First Nations Artist

"Colin Jones was born in 1947 in Ipswich, Queensland, and is of Kaladoon and Nunuckle tribal descent. Colin’s Aboriginal name is Ko-Ro, which means Brolga wings. As a young boy, Colin learned to paint from his grandfather.


Besides painting, Colin teaches history and culture all over the world. He has taught at University of Honolulu and University of Hilo, Hawaii as well as Germany, France and England. He has also lectured at the UN. Currently, Colin helps troubled youths at Goori house, an addiction treatment centre in Queensland.


Colin’s art has been exhibited in leading galleries in Europe, America, Great Britain and Australia."

Source.

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Sue McMaster

Owner of Murray's Art and Framing

Sue McMaster is the owner of Toowoomba art supplies and framing store Murray's Art and Framing.


"As an experienced portrait painter, Sue has developed a hyper-real meets pop art style through her explorations of contemporary art, while studying B.Cr.Arts at USQ. Sue has exhibited in group shows over the last 20 years and exhibited at TRAG 2011 & 2014."

Source.

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Chris Joseph

Uncle Wayne Fossey

University of Southern Queensland

Uncle Wayne Fossey is an Aboriginal man connected to Yugambeh/Bunjalung and to Central QLD.


As a teacher and administrator in secondary schools across the state, Catholic and private systems Uncle Wayne worked consistently to develop the Arts focus in education. He has formal qualification in education and environmental sciences, and is actively involved in Bunya People’s Aboriginal Corporation and Aboriginal groups.


As Elder in residence at UniSQ he has had the opportunity to engage with a range of students, lecturers and community artists, and has been involved with judging and art instillations.

Source.

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Artworks featured in this slideshow include:  'Heal The Country' by Jarryd Lawton, 'Wildflowers on Gwamu Country' by Bill Speedy, 'Healing Country - Regeneration' by Michael Connolly, 'Lifeblood' by Peta Richardson, 'Crosshatch Fish' by Tareque Chapman, and Guyumba' by Isabel Natividad.

Indigenous Art Code

Southern Queensland Landscapes is a member of the Indigenous Art Code which is about ensuring that Aboriginal and Torres Strait Islander artists are given a fair go.


The Indigenous Art Code administers a voluntary industry Code of Conduct (known as The Code), which outlines a set of rules and guidelines that dealers (both Indigenous and non-Indigenous businesses) commit to follow to ensure ethical practices and fair treatment of artists.


The Code provides a standard for ethical conduct of dealers of Indigenous visual arts.  it also defines clear standards for dealings between Aboriginal and Torres Strait Islander visual artists and art dealers to deliver:

  • Fair and ethical trade in Aboriginal and Torres Strait Islander visual artwork
  • Transparency in the process of promoting and selling authentic artwork
  • Efficiency and fairness in how disputes are dealt with


To find out more about the Indigenous Art Code click the LEARN MORE button below.

LEARN MORE
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